片名:《一曲相思未了情[电影解说]》
类型:短剧
上映时间:1960
上映地区:美国
导演:查尔斯·维多,乔治·库克
主演:德克·博加德,卡普西尼,吉内瓦维·佩吉
集数: 完结
语言:
《一曲相思未了情[电影解说]》是一部于1960年上映的优秀短剧,【能投影院】为您提供有等语言,喜爱《一曲相思未了情[电影解说]》的粉丝可以自己选择.这部优秀的短剧由知名导演查尔斯·维多,乔治·库克倾情演绎,表现了《一曲相思未了情[电影解说]》曲折离奇跌宕起伏的剧情。短剧《一曲相思未了情[电影解说]》的评分高达10.0,《一曲相思未了情[电影解说]》的演员德克·博加德,卡普西尼,吉内瓦维·佩吉深受观众喜欢,看更多精彩影视就在【能投影院】
《一曲相思未了情[电影解说]》剧情简介：In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.Copyright © 2015-2020 All Rights Reserved
