奥莉维娅 已完结

评分:
8.0 推荐

分类:剧情片 法国 1951

导演:Jacqueline  Audry   

剧情介绍

片名:《奥莉维娅》

类型:剧情片

上映时间:1951

上映地区:法国

导演:Jacqueline,Audry

主演:Marie-Claire,Olivia,Yvonne,de,Bray

集数: 完结

语言:法语

《奥莉维娅》是一部于1951年上映的优秀剧情片,【能投影院】为您提供有法语等语言,喜爱《奥莉维娅》的粉丝可以自己选择.这部优秀的剧情片由知名导演Jacqueline,Audry倾情演绎,表现了《奥莉维娅》曲折离奇跌宕起伏的剧情。剧情片《奥莉维娅》的评分高达8.0,《奥莉维娅》的演员Marie-Claire,Olivia,Yvonne,de,Bray深受观众喜欢,看更多精彩影视就在【能投影院】

《奥莉维娅》剧情简介:大概是法国第一部描写女同志的故事片吧。  Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.  French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

大概是法国第一部描写女同志的故事片吧。  Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.  French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

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