巴伐利亚打猎即景 已完结

评分:
5.0 推荐

分类:剧情片 其它 1969

导演:彼得·弗莱施曼   

剧情介绍

片名:《巴伐利亚打猎即景》

类型:剧情片

上映时间:1969

上映地区:其它

导演:彼得·弗莱施曼

主演:Martin,Sperr,Angela,Winkler,汉娜·许古拉

集数: 完结

语言:其它

《巴伐利亚打猎即景》是一部于1969年上映的优秀剧情片,【能投影院】为您提供有其它等语言,喜爱《巴伐利亚打猎即景》的粉丝可以自己选择.这部优秀的剧情片由知名导演彼得·弗莱施曼倾情演绎,表现了《巴伐利亚打猎即景》曲折离奇跌宕起伏的剧情。剧情片《巴伐利亚打猎即景》的评分高达5.0,《巴伐利亚打猎即景》的演员Martin,Sperr,Angela,Winkler,汉娜·许古拉深受观众喜欢,看更多精彩影视就在【能投影院】

《巴伐利亚打猎即景》剧情简介:ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.

ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.

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