虚空北境 已完结

评分:
6.0 推荐

分类:剧情片 其它 2022

导演:亚历杭德拉·马尔克斯·阿贝拉   

剧情介绍

片名:《虚空北境》

类型:剧情片

上映时间:2022

上映地区:其它

导演:亚历杭德拉·马尔克斯·阿贝拉

主演:梅拉·埃莫西约,德洛丽丝·赫雷迪亚,劳尔·布里奥内斯,Francisco,Barreiro,丹尼尔·加西亚,Gerardo,Trejoluna,Paloma,Petra,Yahir,Alday

集数: 完结

语言:其它

《虚空北境》是一部于2022年上映的优秀剧情片,【能投影院】为您提供有其它等语言,喜爱《虚空北境》的粉丝可以自己选择.这部优秀的剧情片由知名导演亚历杭德拉·马尔克斯·阿贝拉倾情演绎,表现了《虚空北境》曲折离奇跌宕起伏的剧情。剧情片《虚空北境》的评分高达6.0,《虚空北境》的演员梅拉·埃莫西约,德洛丽丝·赫雷迪亚,劳尔·布里奥内斯,Francisco,Barreiro,丹尼尔·加西亚,Gerardo,Trejoluna,Paloma,Petra,Yahir,Alday深受观众喜欢,看更多精彩影视就在【能投影院】

《虚空北境》剧情简介:When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.  With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.  With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

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